SUGGESTED STUDENT OUTCOMES FOR CORE COURSES DESIGN III Prepared by The Academic Affairs Sub-Committee, Texas Association of Schools of Art January, 1999 A. DESIGN III (TCCN 2311) TASA course description - Prerequisites: The freshman transfer curriculum. Design III is a studio course which further investigates the problems of two-dimensional concepts with an emphasis on color theory and personal expression. Texas Higher Education Coordinating Board Information CIB #50.0401.53 30 Design 9:3:96 Elements and principles of art using two- and three-dimensional concepts. ARTS 1311 (2-dimensional) ARTS 1312 (3-dimensional) ARTS 2311 (3rd semester design: may be 2-D, 3-D, color, or combinations thereof) B. FOCUS, PURPOSE AND GOALS OF COURSE: 1. COURSE PURPOSE: The purpose of DESIGN III is to further explore the elements and principles of two-dimensional design with an emphasis on color composition. To investigate primary color concepts through a series of interrelated studio projects. To assist the student in graphic skills development, understanding visual issues, ideas, and creative problem solving. To further develop critical thinking and graphic analysis skills through studio project evaluation. 2. COURSE GOALS: DESIGN III is designed to extend each student's basis of visual knowledge, critical thinking skills, and working disciplines through the exploration of major color theories as well as the practical use and application of paint media as well as alternative color media as applied to pictorial composition. Information on materials, techniques and color nomenclature are provided and experienced through studio projects with a class critique evaluation process. By the end of the semester the student will: a. possess a higher level of perceptual awareness. b. have translated color theories and two-dimensional compositional concepts into effective plastic forms. c. have demonstrated confidence in and strategies toward individual creativity. d. have demonstrated sensitivity for the psycho-physiological "language" of color and two-dimensional composition. e. have demonstrated knowledge of contemporary and historic artistic models. f. have demonstrated knowledge of art as cultural information. g. have performed exercises in visualization and critical thinking. h. have performed refined, higher level technical practices. i. have demonstrated knowledge of and performed safe and effective studio practices. C. PERFORMANCE OBJECTIVES - Expected student outcomes by domain: 1. COGNITIVE: (Development of critical thinking skills, conceptual constructs, specialized vocabulary and art history.) a. Each student will be able to design effective two-dimensional, compositional color pattern strategies. SUGGESTED STUDENT OUTCOMES FOR CORE COURSES - DESIGN III, page 2 b. Each student will be able to understand the principles of relative two-dimensional design studio technology and safety. c. Each student will be able to design, shape and scale optimum formats to accommodate individualized expressive concerns for problematic color-compositional expressions. d. Each student is required to complete a range of projects that explore, color composition, perceptual awareness, knowledge of contemporary formal issues and archetypes, creative synergy, and a broad range painterly effects. e. Each student will be able to employ appropriate technical processes for expression of physical, social and psychological aspects of pictorial composition and color theory. f. Each student will be able to employ unifying principles of design including repetition, variety, rhythm, balance, emphasis, and economy. g. Each student will be able to research historical and contemporary aspects of color and pictorial form. h. Each student will be able to write a fundamental, comprehensive analysis of two-dimensional form. i. The student will demonstrate interest in design by seeking design information from a variety of sources such as books, periodicals, exhibitions, museums, etc. j. The student will demonstrate a capacity for design synthesis by making designs which incorporate and unify disparate elements, processes, motifs and concepts. k. Each student will be able to offer a fundamental oral critique of two-dimensional form. l. Each student will be able to participate in group critiques. m. Each student will be able to use vocabulary specific to the design process. 2. PSYCHOMOTOR: (Development of manipulative, work-oriented skills; demonstration of specific process skills) a. Each student will be able to select and effectively use various stable grounds and support surfaces as formats for color exercises and pictorial compositions. b. Each student will learn to manipulate various color media in order to control color pigment optics and tactile qualities. (various color media should be determined by responsible faculty members relative to the maintenance of safe, healthy learning environments within each institutional facility.) c. The student will demonstrate flexibility and adaptability by using a variety of technical and conceptual strategies in resolving design problems. d. The student will demonstrate fluency by producing several solutions to the same problem. e. Each student will learn to manipulate two-dimensional materials in order to explore the expressive potential of line, shape and form, space, texture, pattern, and value. f. The student will demonstrate respect for design work by presenting neat, clean, well-crafted projects. g. Each student will be able to present completed project solutions for class critique. h. Each student will be able to install design solutions for critique exhibit. i. Each student will be able to orally critique design project explorations. 3. AFFECTIVE: (Development of behavioral skills which help the student acquire a positive attitude toward self, other students, faculty, facilities and equipment, housekeeping in the work area, and the ability to carry out directions, meet deadlines, meet attendance requirements, etc.) a. The student will demonstrate interest in design by regular and punctual class attendance. b. Each student will observe safe studio and shop practices. SUGGESTED STUDENT OUTCOMES FOR CORE COURSES - DESIGN III, page 3 c. The student will demonstrate the ability to follow assignment instructions as well as intrinsic motivation by persistence in staying on task and frequently exceeding the production requirements set by the instructor. d. Each student will demonstrate the ability to self initiate tasks and demonstrate courage and tenacity by persistence in resolving design problems and completing assignments in a timely manner - by repeated attempts to resolve or improve upon solutions to design problems, especially in the face of risk taking and failure. e. The student will demonstrate resistance to premature closure and openness to discovery by allowing technical and conceptual processes to evolve and by permitting and even seeking a variety of design sources and processes to generate design ideas and products. f. The student will demonstrate awareness by producing designs in which nuance is evident (nuance in form, nuance in content). g. The student will demonstrate independence of judgement (and resistance to peer sanctions) by producing designs which are personally unique or unusual in character. h. The student will demonstrate confidence by his or her willingness to attempt difficult or complex design problems. i. The student will demonstrate persistence in working on design problems in which neither the problem nor the solution is clearly evident or defined. j. Each student will demonstrate the ability to contribute to the studio working environment. k. The student will demonstrate an ability to analyze by verbally identifying and articulating the salient design elements in particular designs. l. Each student will demonstrate the ability to tolerate diverse views. m. The student will demonstrate interest in design by asking relevant design related questions and by participating, without prompting, in group and individual critiques. n. Each student will demonstrate the ability to offer and receive constructive criticism.