SUGGESTED STUDENT OUTCOMES FOR CORE COURSES
 CERAMICS I
 Prepared by 
 The Academic Affairs Sub-Committee, Texas Association of Schools of Art
 January, 1999
 
 A.  CERAMICS I  (TCCN 2346)
 TASA course description - Prerequisites:  The freshman transfer curriculum.  
 Ceramics I is a studio course which explores the basic ceramic processes.
 
 Texas Higher Education Coordinating Board Information
 CIB #50.0711.51 30 		Ceramics 		6:3:96
 Exploration of ideas using basic ceramic processes.
 ARTS 2346 (1st semester)			ARTS 2347 (2nd semester)
 
 B.  FOCUS, PURPOSE AND GOALS OF COURSE:
 
 1.  COURSE PURPOSE:
 The purpose of Ceramics I is to provide each student with a basic ceramics 
 experience extended from his or her knowledge of design and drawing on which 
 to build the visual thinking skills, knowledge of historical and contemporary 
 art forms, technical approach to materials and the methods for channeling 
 creative energies that enable a life-time of personal artistic expression.
 
 2.  COURSE GOALS:
 Ceramics I is designed to extend each student's basis of visual knowledge, 
 critical thinking skills, and working disciplines already developed in design 
 and drawing so that by the end of the semester he or she will:
 a.	possess a higher level of perceptual awareness
 b.	have translated perceptual awareness into plastic form
 c.	have demonstrated confidence in and strategies toward individual creativity
 d.	have demonstrated sensitivity for the psycho-physiological "language" of form
 e.	have demonstrated knowledge of contemporary and historic artistic models
 f.	have demonstrated knowledge of art as cultural information
 g.	have performed exercises in visualization and critical thinking
 h.	have performed refined, higher level technical practices
 i.	have demonstrated knowledge of and performed safe and effective studio 
 practices.
 
 C. PERFORMANCE OBJECTIVES - Expected student outcomes by domain:
 
 1. COGNITIVE: (Development of critical thinking skills, conceptual constructs, 
 specialized vocabulary and art history.) 
 a.	Each student will be able to understand the principles of relative studio 
 technology and safety.
 b.	Each student will be able to design effective technically proficient 
 ceramic forms.
 c.	Each student will be able to design, shape and scale optimum forms to 
 accommodate individualized expressive concerns for physical, social and 
 psychological aspects of ceramic form.
 d.	Each student is required to complete a range of projects that explore 
 texture, color, form, composition, advanced perceptual awareness, knowledge 
 of contemporary formal issues and archetypes, creative synergy, and a broad
  range of ceramic effects.
 e.	Each student will be able to employ appropriate technical processes for 
 expression of physical, social and psychological aspects of ceramic form.
 f.	Each student will be able to research historical and contemporary aspects 
 of ceramics.
 g. Each student will be able to write a summary review of her or his own 
 ceramic work.
  SUGGESTED STUDENT OUTCOMES FOR CORE COURSES - CERAMICS I, page 2
 
 h.	The student will demonstrate interest in ceramic form by seeking design 
 information from a variety of sources such as books, periodicals, exhibitions, 
 museums, etc.
 i.	The student will demonstrate a capacity for synthesis by making ceramics 
 which incorporate and unify disparate elements, processes, motifs and concepts.
 j.	Each student will be able to offer an oral critique of functional or 
 sculptural ceramics.
 k. Each student will be able to participate in group critiques.
 l.	Each student will be able to use vocabulary specific to the ceramics 
 making process.
 
 2. PSYCHOMOTOR: (Development of manipulative, work-oriented skills; 
 demonstration of specific process skills)
 a.	Each student will develop technical and craftsmanship skills through 
 hands-on work with materials by effectively assembling pinch, coil, slab, 
 and wheel thrown forms.
 b.	Each student be able to make appropriate clay bodies.
 c.	Each student will be able to distinguish between fired and unfired clay.
 d.	Each student will learn to manipulate stains, glazes and appropriate 
 firing methods, in order to control color and tactile qualities. (Glazes 
 should be determined by responsible faculty members  relative to the 
 maintenance of safe, healthy learning environments within each institutional 
 facility.)
 e.	The student will demonstrate flexibility and adaptability by using a 
 variety of technical and conceptual strategies in resolving problems with 
 ceramic forms.
 f.	The student will demonstrate fluency by producing several different 
 solutions to the same problem.
 g.	Each student will learn how to fire electric and/or gas kilns.
 h.	The student will be able to understand shop technology and safety
 i.  	The student will be able to control form so that a finished 
 presentation is accomplished, including architectural weight/support 
 sufficiency.
 j. 	The student will be able to present and install ceramic works for 
 ideal contextual viewing (for critique or exhibition).
 k. 	The student will be able to orally critique three-dimensional form.
 l.  	The student will be able to create three-dimensional form, which 
 explores design concepts.
 m.	The student will demonstrate respect for ceramic work by presenting neat, 
 clean, well-crafted projects.
 n.	Each student will be able to orally critique ceramics.
 
 3. AFFECTIVE: (Development of behavioral skills which help the student acquire 
 a positive attitude toward self, other students, faculty, facilities and 
 equipment, housekeeping in the work area, and the ability to carry out 
 directions, meet deadlines, meet attendance requirements, etc.)
 a.	The student will demonstrate interest in ceramics by regular and punctual 
 class attendance.
 b.	The student will demonstrate the ability to follow assignment instructions 
 as well as intrinsic motivation by persistence in staying on task and 
 frequently exceeding the production requirements set by the instructor.
 c.	Each student will demonstrate the ability to self-initiate tasks.
 d.	The student will demonstrate courage and tenacity by persistence in 
 resolving ceramic problems and completing assignments in a timely 
 manner - by repeated attempts to resolve or improve upon solutions to 
 ceramic problems, especially in the face of risk taking and failure.
 e.	Each student will demonstrate the ability to complete tasks.
 f. Each student will demonstrate the ability to focus on group and personal 
 objectives.
 g. The student will demonstrate resistance to premature closure and 
 openness to discovery by allowing technical and conceptual processes to
 evolve and by 
  SUGGESTED STUDENT OUTCOMES FOR CORE COURSES - CERAMICS I, page 3
 
 permitting and even seeking a variety of sources and processes to generate 
 design ideas and products for ceramic works.
 h.	The student will demonstrate awareness by producing ceramics in which 
 nuance is evident (nuance in form, nuance in content).
 i.	The student will demonstrate independence of judgement (and resistance to 
 peer sanctions) by producing ceramic works which are personally unique or 
 unusual in character.
 j.	The student will demonstrate confidence by his or her willingness to 
 attempt difficult or complex ceramic problems.
 k.	The student will demonstrate persistence in working on ceramic problems 
 in which neither the problem or the solution is clearly evident or defined.
 l.	Each student will demonstrate the ability to comply with due dates.
 m. The student will observe safe studio and shop practices.
 n.	The student will demonstrate an ability to analyze by verbally identifying 
 and articulating the salient elements in particular ceramic works.
 o.	The student will demonstrate the ability to tolerate diverse views.
 p. 	The student will demonstrate the ability to offer and receive constructive 
 criticism.
 q. 	The student will demonstrate the ability to participate in class discussion 
 and demonstrate critical thinking skills. 
 r. 	The student will demonstrate interest in ceramics by asking relevant 
 questions and by participating, without prompting, in group and individual 
 critiques.
 o.	The student will demonstrate the ability to contribute to the studio 
 working environment.
 p. 	The student will demonstrate the ability to prepare adequately for 
 examinations.